Hi guys
I'll be submitting a few things here for corrections so thought I'd make my own thread. Could someone correct my LA below? I've written this in one hour and fifteen minutes. A mark out of 10 would be appreciated. This is from VATE 2013 Book 2. I'm more so looking at how I've analysed (technique - example - effect) the piece.
How is written and visual language used to attempt to persuade the audience to share the point of view of the writer?The increasing foothold that the traditional American Halloween celebration has been gaining in Australia, has stirred much controversy as of late. In the opinion piece, 'Summer in Aus: just not spooky', which was published in
The Clarion (24/10/2013), Jean McIntyre contends that celebrating Halloween in Australia is yet another American antic that has no significance being commemorated in Australia, and that this American tradition should not be celebrated outside the United States. Adopting a predominantly circumspective tone and conversational register, McIntyre intends to appeal to an audience of morally-conscious Australians in order to convey her style of thinking. Accompanying the opinion piece is a photograph of various horror figures that illustrates the lack of significance that celebrating this American festival in Australia possesses.
Good good. Ticks all the boxes. Your writing seems a bit stiff which isn't a massive concern, but like.. if your writing were a guy at a party, it'd be the slightly nervous guy with overly good posture. You want to be the guy who is really relaxed but is still having super intelligent conversation about macroeconomic policy in the corner as he sips his Corona. I'm not sure how to explain it other than to say it could be "looser" but equally as formal. McIntyre repudiates the validity of Halloween celebrations in Australia at the outset of the piece, describing it as being 'just not spooky'. By mentioning this in the headline, McIntyre intends to position her readership to affirm the pointlessness of this festival during the 'summer in Aus'
How? You could mention how the casual use of "just" emphasises her straightforwardness or takes away any glamour surrounding Halloween due to its bluntness. Furthermore, the author employs phrases such as 'the night gets longer' and 'the dark closes in', to create a gothic raiment, immediately before mentioning restless spirits rising to 'stretch their legs'.
AwesomeSatirically deriding the supernatural facet of horrendous, horror creatures, McIntyre attempts to instil readers with the belief that what would otherwise possess a rivetting facade during the Halloween season in the United States, simply carries no such gothic nature during the summer in Australia
This could be less basic. Just in the sense that, you've basically said "Australia can't do Halloween as good as America" in a bit of a roundabout way, but you could talk about how the satire derides Australian Halloween, associating it with a 'joke', thereby impacting the belief systems of the audience through them wanting to join in on the derision (as opposed to being subjected to it) or something of that nature. Like, what you wrote is good, but could have been more insightful. Thus, McIntyre's readership is more likely to gain trust in her assertions that Halloween celebrations in Australia are unnecessary, from the initiation of her argument
This is a really 'stiff' sentence. Like, it could have been integrated more fluidly - it's great that you've got it here - it's great that you've remembered that you need to continually be linking back to hte audience's belief system and feelings, but just lopping this sentence here lacks a little bit of 'zazz'. Placed prominently on the page, the photograph of the supernatural creatures is caption, 'Not spooky!'. By employing an exclamation mark, McIntyre intends to reinforce within the reader that there really is nothing 'spooky'
How? Again, you've lacked a little bit of specificty here, as you've essentialyl said "By saying 'not spooky', she wants them to believe that it is 'not spooky' (a bit circular) --- This is a HUGE temptation in language analysis, especially when it seems blatant and obvious, but you'll make huge gains by discarding that temptation and trying to be very specific about what the language does - so specific as to escape that circularity. Honing in on exclamation marks and ellipses and things of that nature is a nice touch though about such phantomic beings in the forefront of summer in Australia. Moreover, the figure of the phantom is draped merely in a long, white material so as to resemble a ghost. Depicting the ghost in this manner represents how a costume made out of mere material possesses no quality of horror in Australia
This is an awesome pick up, but again, you could have been really specific about the connotations of silliness that such a sheet has, as it might remind the audience of a time they've tried to mock being scary, which in turn puts a humiliating association around Halloween and its supporters. I feel like your insight is there, you just need to be a bit more specific about it.. Therefore, readers are more likely to acknowledge the fact that a celebration that carries no significance in AUstralia, should not be commemorated.
Throughout the opinion piece, McIntyre seeks to establish how different Australia and the United States are, in order to facilitate the underpinning of her contention that Halloween should not be celebrated outside the United States. Calling on readers to 'draw a line', McIntyre intends to unveil the importance and easiness in extracting this American tradition from Australian culture. This is further compounded by references to how even the language of Americans varies from that of Australians. Juxtaposing the American 'Farenheit' with the Australia 'Celcius', and contrasting 'thong' with 'flip-flop' and 'lollies' with 'candy', McIntyre reveals that if even words employed by Americans and Australians vary to such an extent, then surely celebrating Halloween in Australia does not have the same amount of 'spooky' that it does in the United States. Such an approach is likely to coerce readers to accept that Halloween should not become a festival that is a part of the Australian culture
Why? How? Is this statement really true?. Presenting the plethora of factors of American culture that have been 'well and truly integrated into Australia', including 'US films', 'television' and 'pop culture', is intended to underpin the dependence Australia has on 'aspects of American life'. In this way, McIntyre's readership is more likely to reason with her that Halloween is yet another example of an American tradition that has now become a part of Australian culture, that should be removed from the Australian way of life
How? Why? What about the words is impacting on the readers? The dependence? If that's it, then why is the dependence goign to impact the readers? How will it make them feel? THEN, how will that feeling translate into a legitimate thought/belief?Having proposed the lack of significance of the Halloween festival, McIntyre intends to appease her readership by providing them with alternative celebrations that could be created, that are uniquely Australian. This is intended to work in a number of different ways. Asserting that a 'Blinky Bill Day' or a 'Bogan Day' can become 'one of our own', McIntyre appeals to the reader's sense of innovation and creativity, attempting to espouse intrigue and excitement within the reader at the prospect of a 'new celebration'.
This reads nicely. Could this also be a humorous assertion? If so, analysing humour well often lends to nice marks.Also, the collective pronoun 'our' is employed by McIntyre to induce a sense of inclusion within the readers. Such an approach is likely to instil the reader with the belief that McIntyre holds their interests at heart, and that the author genuinely cares about providing her audience with alternative solutions to celebrate a day, even if it is as strange as 'Lamington Day'.
Feels like a dressed up textbook regurgitation of inclusive language Thereforem, readers are more likely to accept that Halloween belongs in the United States, and that embracing such a tradition would possess no value in Australia.
Modulating from a less circumspective to a more sinister tone, McIntyre highlights the drawbacks underlying Halloween as a tradition, let alone having this celebration commemorated within Australia. In doing this, McIntyre dichotomises parents into a 'responsible' group, and accordingly, those who are not. Insinuating that this 'obsession' and 'celebration' of junk is contributing to the obesity epidemic, McIntyre appeals to parents' sense of responsibility regarding how they manage the health of their children. Furthermore, the capitalisation of the term 'REALLY' in the question asking parents if they should contribute to childhood obesity, reinstates that parents have an increasingly important duty to make decisions that minimise their children's health diminishing
How? What does the capitalisation do to the rhythm, the intonation in the reader's head? What impact does that have [how]? You gave up the tone too early, too. It's not enough to just 'tick the box' that you've noticed a change of tone. Discuss how the sinister tone really influences the type of language (the specific words) behind that section of the article. She's clearly discussing negative shit, so the sinister tone works in conjunction with that.Discuss how and why.. Thus, the likelihood of parents allowing their children to celebrate Halloween is decreased, as they recognise the health risks on children. McIntyre also proposes the magnitude of seriousness of sending children to the homes of strangers. By positioning the clown-masked figure behind the phantom in the photograph, the photographer illustrates how the identity behind the mask is unknown in the same way that the faces of the strangers' homes that children visit is unknown. This exploits the reader's fear of the unknown, and positions them to protest against celebration of Halloween for not only its lack of value in the Australian way of life, but also the ramifications on children's health and well-being that celebrating this festival can invite.
Through the medium of the opinion piece and the complementary photograph, McIntyre entertains the notion that the lack of importance of Halloween in Australia should be a cue to stop this American tradition becoming a facade of our Australian culture.
Really great effort man.
One thing to note is, the words you're choosing to analyse, and the tytpes of thing you're choosing to analysis are really great. The cluster of words you occasionally use all work well together, and you make consistently insightful pick ups (the sheet on the ghost, other written language pick ups. That's defintiely a big strength, because half the battle is picking out the type of stuff that allows you to access the really high marks, and you're doing well of that front - kudos. Consistency is what I look for in an LA. Some people might pick quotes that are fucking brilliant, but only do it 10% of the time. It says something when someone can do it consistently.
On your actual analysis, you're doing that less consistently. Sometimes you really hit the mark quite suitable, but then sometimes you're lacking in detail, specificity, and proper insight -- you start to fall back on generic or circular analysis. This is the major area of improvement, because if you can get consistently, deeply insightful analysis on top of the things you're choosing to analyse, then you will do supremely well. FOCUS!! FOCUS: How? Why? -- DEEPLY why. It's not "so they agree". There are more nuanced reasons for specific words in specific places. To lube them up for the next sentence? To get them to put their guard down? To get them to forget about some other minor point that will ultimately be very valuable to the author? To get them to laugh, just so they like the author more? So they feel like friends? All of these things in turn have stepping stone effects to the ultimate goal of "they agree". So yeah. How and why - that's your focus.
You were pretty stiff at the start, but it improved as you got into the groove of your essay, I think. Feels like you were really conscious of your writing and the start and trhen that feeling went away as you properly let the analytical thoughts envelop your mind (as opposed ot thoughts of "have to make it sound okay". At the moment, your version of "have to make it sound okay" is making it sound a bit ugly. As always man - you know the drill - focussed on negative stuff so you can improve etc etc bla bla. You're a hard worker, I'm sure you'll improve rapidly. Focus on writing fluidly, focus on analysing hyper-specifically and insightfully, you're going to do really well.